![]() |
| Image credit: Penguin Books Australia |
Gertie and Tabitha are two unassuming and scrupulous morticians who are very good at their job. By day they are pumping bodies with
formaldehyde, sculpting faces, reattaching limbs, and applying makeup. By Friday
night – date night- they are spiking the drinks of their chosen dating-app catfish
victims. It’s a perfectly serviceable routine that they are content to live
their lives by, but unfortunately even the most stalwart routines can fracture,
leaving you to wonder how in control of your life you really are.
A dark and spikily clever debut novel, The Thornbacks
explores a myriad of themes and ideas about relationships, how the online wold and the world of flesh coexist, the safety and danger of being sensible or
plain, and gendered battles for control.
Wilson’s prose is simple, but she has done a clever thing in
writing in the voice of both the heroines simultaneously. Like the twins from The Shining or the strange sisters from Gormenghast, Gertie and Tabitha
are very similar if not identical and their conversational tones that colour
the narrative as they recount events to the reader is a surprise at first, but
then very quickly adjusted to. They are fascinating and enigmatically blank
characters who are neither adorable nor malicious, indeed the emotional motive
behind their questionable actions is what compels you to read on: you really
can’t fathom what’s lurking, shifting, and roiling underneath and inside.
But while the book’s protagonists are enthrallingly
unfathomable, the gender battles are not: exploring mistreatment of both sexes dressed
up in a variety of outfits such as domestic violence, sexual abuse, gaslighting, harassment, and appearance-shaming. There is a macabre satisfaction hearing these accounts and
events throughout the story and finding that no one seems to get the upper
hand: neither heroines nor villains come out on top.

Image credit: Penguin Books Australia
The Thornbacks is a dark and funny iceberg of a
story: there’s not a lot on the surface but underneath there is an entire
hidden cave network of drama, social commentary, gender battles, and unease. It’s
a truly compelling and fascinating book.
Author: Chloe Wilson, 2026
Published: Hamish Hamilton, part of Penguin Random House,
Australia, 2026

No comments:
Post a Comment