Whilst being a little predictable at certain points and very
hard to allow yourself to sink into for the first third, this Gothic novel
(first published in serial form from 1861-2) by Mary Elizabeth Braddon
nevertheless sets itself aside from other characters-with-secrets books by way
of its intertexutality, narrator as character, and each chapter ending on a
cliff hanger. You don’t get hooked in right from the off, but once you are, you
really fly through the pages, almost causing a gale in the process.
Before she
came to Audley Court, Lucy Graham was a beautiful but impoverished governess.
That was until she met Sir Michael Audley who is instantly besotted by her and
offers her his hand. Their life together at Audley Court begins blissfully
happy, luxurious, and uneventful enough until the day that Sir Michael’s
nephew, Robert arrives with his friend George Talboys, a young man recently
returned from making his fortune in Australia. One day during their visit,
George suddenly disappears leaving behind him a very large mystery that Robert
quickly determines to solve. As he delves deeper into his friend’s past, he
becomes convinced that Lady Audley might not be as ignorant, or as innocent, of
the mysterious events as she seems.
The story itself has all the right
ingredients for a tale of mystery and sinisterness: a beautiful woman
harbouring a secret, a mysterious disappearance, the suspicion of fowl play,
and the determined hero (or rather almost antihero) looking for clues and
piecing the mystery together. The characters are very well rounded and each very
different from the others, which makes them all the more fun to read about.
Robert Audley is particularly great because he’s the character that really
undergoes a change from going through the process of solving the mystery. He
begins the novel as lazy and cynical; a layabout with the mere label of
barrister, but with George’s disappearance, he suddenly becomes active and, by
the end of the book, he really is a changed man in the views of his life. He
sort of begins as the antihero, the last person ever who’d we think would take
on the seemingly Herculean task of solving the mystery, yet he does and becomes
simple hero in the process. It’s quite nice to see really.
There’s a great bit
of the femme fatale about Lady Audley, the young, beautiful, blonde-haired and
blue-eyed viper in the rosebush. She goes through a transformation as well, but
unlike Robert’s, it’s one of moral decline with dastardly actions fuelled by
fear of discovery, adrenaline, and desperation.
The writing itself can
sometimes be a bit dense, with long sentences that seem to stray from the path.
I think technically it’s in the first person register, though at times it does
seem to shift to third person omniscient before we are reminded that the
narrator is a character too, not necessarily one within the story world, but
he/she’s definitely an omniscient presence. Then again it could just be the
voice of the intended author and really that’s half the appeal: not knowing to
whom this voice belongs, it adds more flavour and mystery to the mystery.
Filled with action, drama, romance, suspense, violence, secrets, and mystery, Lady Audley’s Secret is a book that
starts outs a bit slowly, but once the mystery occurs and Robert’s quest is
determined, then it becomes akin to a nail-biter with every chapter finishing
on a cliff hanger. I began not thinking very much of it, indeed not even liking
the writing all that much, but once the hook got me, then I just powered
through it.
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