A collection of quite possibly every significant or
celebrated essay and book chapter about popular theories, Richard Lane’s Global Literary Theory: An Anthology
serves as a brilliant stepping stone for those readers out there who are
fascinated by theories, theories as applied to literature, or just want to
broaden their minds as to how they can interpret their understandings of
literature. I have to admit that have not read the entire tome (seriously, the
thing is huge), I have read a large portion of it for uni and trust a nerdy
masochist such as myself to review books I’ve had to read for uni! But, if I
don’t let people know about this book, how else will they?
As the title hints,
the book is a collection of essays and book chapters from heaps of different
theorists in various fields: some rock star theorists such as Said, Freud, and
Barthes, and some not so well known. The book contains seventy-nine chapters,
each one the work from a specific theorist and each chapter begins with a
little summary from Lane about what the central points of the forthcoming work
are, outlining them in a way that then makes the essay or book chapter itself
easier to grasp (because some of them can be quite dense: like Derrida for
example). The entire anthology itself is actually pretty good because it really
does make you think about applying some of these modes of interpretation to
your own readings of texts, not just books but other essays, articles, and
stuff. The main bulk of the book is divided into core collections:
Part 1: Formalism
and Structuralism; featuring works from Viktor Shklovsky, Vladimir Propp,
Francisco Vaz Da Silva, Ferdinand de Saussure, Roman Jakobson, Roland Barthes,
and Julia Kristeva.
Part 2: Deconstruction and Poststructuralism; featuring
works from Pal Ahluwalia, Jacques Derrida, Mary Poovey, Tilottama Rajan, A. T.
Nuyen, and Julia Kristeva.
Part 3: Media, Culture and Postmodernism; featuring
works from Walter Benjamin, Marshall McLuhan and Quentin Fiore, Tricia Rose,
Edward Said, Ravi Sundaram, Jean-Francois Lyotard, Gerald Vizenor, Jean
Baudrillard, and Ziauddin Sardar.
Part 4: Psychoanalysis and Its Critics;
featuring works from Sigmund Freud (of course), Jacques Lacan, Shoshana Felman,
Judith Butler, Gilles Deleuze and Felix Guattari, annd Slavoj Zizek.
Part 5:
Marxism, Critical Theory and New Historicism; featuring works from Karl Marx,
Theodor Adorno and Max Horkheimer, Fredric Jameson, Sue Vice, Walter Benjamin,
Catherine Gallagher and Stephen Greenblatt, and Daria Berg.
Part 6: Race and
Ethnicity; featuring works from Frantz Fanon, Henry Louis Gates Jr., Paul
Gilroy, George Elliott Clarke, Dara N. Byrne, Rebecca E. Karl, and Pamela
Scully.
Part 7: Postcolonial Studies; featuring works from Gautam Bhadra,
Gayatri Chakrovorty Spivak, Edward Said, Homi K. Bhabha, Chinua Achebe, Gina
Wisker, and Thomas King.
Part 8: Gender and Queer Theory; featuring works from
Judith Butler, Slavoj Zizek, Michel Foucault, Eve Kosofsky Sedgwick, Chrysanthi
Nigianni, and K. L. Walters et. al.
Part 9: Feminism; featuring works from Luce
Irigaray, Helene Cixous and Catherine Clement, Sandra M. Gilbert and Susan D.
Gubar, Margaret Homans, Sonia Shah, Gwendolyn Mikell, and Miriam Cooke.
Part
10: New Textualities; featuring works from Linda and Michael Hutcheon, Sherrill
Grace, Patrick Holland and Graham Huggan, Rebecca Raglon and Marian
Scholtmeijer, Jacques Derrida, Hent Di Vries, Jens Zimmermann, Slavoj Zizek,
Johanna Drucker, Raymond Siemens, and Liu Kang.
Part 11: Globalization and
Global Studies; featuring works from Suman Gupta, Timothy Brennan, Shaobo Xie,
Akbar S. Ahmed and Hastings Donnan, and Rebecca L. Walkowitz.
Filled with more
opinions, theories, questions, and knowledge than you can poke a stick at, Global Literary Theory is a great book
for anyone who’s interested in how we make meaning from reading literature. And
some of the theories are really interesting too!
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