Universally recognised and having, since their publication,
been made into a never-ending series of films from Walt Disney to Tim Burton, Alice’s Adventures In Wonderland and Alice Through the Looking-Glass are
really timeless children’s classics that still, after many years, hold much joy
for adult readers as well as the younger ones. They are rare stories that are
multi-generational and hold something that appeals to absolutely everyone.
Alice’s Adventures in Wonderland – Upon
lying by a riverbank and being bored into a stupor by her sister’s reading,
Alice looks up to see a white rabbit with a pocket watch rushing past her.
Curiosity takes the better of her and she decides to follow the rabbit, which
soon results in her tumbling down a never-ending rabbit hole and ending up in a
wholly remarkable and curious world where food and drink can make her shrink
and grow, cats can grin, tea parties are mad, and caterpillars smoke hookah.
Alice Through the Looking-Glass – Whilst
playing with her kittens, Alice begins to wonder about the world beyond the
living room looking-glass and as she tries to see the world behind the glass,
she tumbles headlong into it and discovers it to be a magical place where
flowers can talk, poems are real, queens live backwards, and life is a chess
game where, with the right moves, she can become a queen.
Simply written for
the younger readers, Alice is not
without its satirical, comedic, and sometimes darker and more adult undertones.
The fact that Alice attempts to combat the madness around her with logic is
Carroll’s little jab at the Puritanism of Victorian bourgeois child-rearing
practices.
Through the Looking-Glass
sees the character of Alice return to literature six years after her initial
creation. More schematic and structured than Wonderland, this story still harbours the same literary and visual
treats as its predecessor and it’s most entertaining to see Carroll create a
language that eludes all meaning and logic: in a few of the poems we see
Carroll’s “portmanteau words” which are two words fused together to create
something else entirely.
The stories, being filled with very vibrant and
incredible characters are ones that must be read and appreciated with the aid
of illustrations. The original illustrations were done by Sir John Tenniel, but
the book that I have (the one pictured) features illustrations done by Mervyn
Peake; the man who brought us the Gormenghast
trilogy, and they are something marvellous, bringing a whole new and sometimes
slightly darker perception to the story and its characters.
Now onto a note of
film trivia, I have not seen all
productions of Alice In Wonderland,
surely there are thousands out there in the world. But of the ones that I have
seen, I’ve realised that not a really true
version of Alice has been made. The
movies are combinations of the two books, features that pick out the most
visually interesting characters. I’ve concluded that a 1993 version starring
Tina Majorino is the closest to the original story whilst Tim Burton’s Alice In Wonderland is more reflective
of Through the Looking Glass. Not a
major point, I’m just throwing it out there for people who care to take an
interest.
Filled with strikingly memorable characters, comedy, satire, poetry,
fantasy, madness, and logic, Alice In
Wonderland and Alice Through the
Looking-Glass are both timeless classics that can never grow stale and will
always harbour treats for a multi-generational range of readers.
No comments:
Post a Comment